
Gray was born in the small town of Drayton Valley, Alberta. As the youngest of four kids, she found herself more the follower than the leader. One favourite pastime was Ringette which she played for 13 years. Here fashion were not something you would normally think of as a career, but a friend studying Fashion Marketing opened her eyes to the possibilities. After carefully researching several schools, The Art Institute of Vancouver quickly became the school of choice. With her family's support and ultimately a final firm push from her mum, she packed her bags and headed off to Vancouver. But change was in the air.
Six months into the program a life-altering experience altered everything. Gray remembers the time clearly, "It wasn't until I began a textiles class with Julie Berg that I truly recognized my passion. I made a scarf for a final project and the excitement I felt was unexplainable. Taking the marketing program first was ultimately beneficial, but I realized that day my true interest was in Fashion Design. I was destined to create." She quickly switched areas of study.

After much research and reaching deep, Gray came up with the idea of using a stamping technique. "I carved a rubber stamp with an alligator pattern and, using donated fabric with the texture of a raincoat, I painted it with acrylic paint. Then I pressed my stamp into the paint while it was still wet." The end result was an alligator-textured fabric that she fashion into a dress. Feathers to trim the hem were created from carefully combed and hair sprayed faux fur. The judges were impressed and she was awarded 3rd place in the Vancouver competition. It was a challenge that tested her to the limits and she loved the experience. "The Cool Vs. Cruel Competition made me realize just how much creativity I had in me."
![]() |
Left - Cool Vs Cruel 2012 Right - Telio Competition 2013 |

"Grace Jones was so iconic for her presence of an alter ego and I wanted to portray a similar contrast in my collection. The foundation came from my love of leather, but I didn't want to use it in a traditional sense and have it come off as too harsh. I wanted it to have a feminine feel." To accomplish this the designer choose to balance the black leather lambswool with chiffon in three shades - champagne, soft pink and black.
Her collection consisted of contrasts between the textured, colours and shapes. The leather exudes power and confidence, the chiffon offered a softer feminine touch. Looks were comprised of versatile separates that could be mixed and matched to create a day outfit or a classier evening ensemble. Gray's personal favourite is the asymmetrical black chiffon dress over the leather ribbed bodysuit. "The look was exactly what I had in mind when I designed it. It has all the elements I was trying to incorporate - edginess and femininity."
With graduation behind her, Gray is headed back to Alberta. Eventually she would like to travel internationally, but for now there is a lot to learn from other designers. What she has to offer them in return is strong skills, unbridled creativity, fresh ideas and a new perspective. In closing, Gray took a moment to mention those who encouraged her along the way, "Thank-you to my Mom and Dad for their faith, love supporting and making my dreams come true. Thanks to Brenda Wong for not only sharing her experience and expertise, but the encouragement and confidence she gave me. To Sandra Scott - thank-you for the pressure, the patience and the knowledge. And a huge thanks to my instructors Shainin Hudda, Julie Berg and Valerie Pugh. Without you I would never have realized my full potential."
For more information or to contact Gray, please visit her website at http://jilliangray.
Comments
Post a Comment